Cambridge IGCSE World Literature 0408 Past Papers 2026
Download free Cambridge IGCSE World Literature 0408 past papers, mark schemes, examiner reports & grade thresholds. 27 exam sessions from 2012–2026.
2025 Oct-Nov
Latest Session
27
Sessions
2012–2026
110
Question Papers
111
Mark Schemes
101% coverage
12
Examiner Reports
44% of sessions
23
Grade Thresholds
Components & time pressure
Marks per minute shows how fast you have to work — the higher the number, the tighter the time pressure in that paper.
| Paper | Component | Marks | Duration | Marks / min | Pressure |
|---|---|---|---|---|---|
| Paper 1 | Set Text | 50 | 1h 30m | 0.56 | Steady |
| Paper 2 | Unseen Poetry | 30 | 1h 15m | 0.40 | Steady |
| Paper 3 | Coursework | 50 | Internally assessed, externally moderated | — | — |
Component structure extracted from 1 official Cambridge documents (2025). Timings and mark totals are taken from the papers themselves.
Yearly Exam Sessions
How is Cambridge IGCSE World Literature 0408 examined?
Cambridge IGCSE World Literature is examined through 3 paper components. Understanding each component helps you allocate revision time effectively.
Paper 1
50 marksSet Text
Duration: 1h 30m
Paper 2
30 marksUnseen Poetry
Duration: 1h 15m
Paper 3
50 marksCoursework
Duration: Internally assessed, externally moderated
What Cambridge examiners say about World Literature
Verbatim quotes from 1 official Cambridge examiner reports (2025). Every quote is attributable to a specific paper and session — these are the things Cambridge markers flag year after year.
Logging literary devices without exploring the precise…
Many simply listed devices such as simile, metaphor etc. without explaining the effect those choices have on the reader, and several responses relied on long quotations and hence missed out on analysing how the poet's word choices and carefully woven imagery build an escalating sense of motion and force when describing the horses.
Writing learned introductions about context
A significant number of candidates are still using a learned opening paragraph for Section A which was repeated in Section B, explaining the context or providing an overview of the plot and writer's intentions. Where it is irrelevant to the question, it takes time that could be used for developing ideas that are.
Ignoring the question's key words / steer adjectives and…
The most successful responses tailored their material to the key words in the question from start to finish: these answers engaged directly with those words in questions designed to elicit personal responses to the writing, adjectives such as 'striking', 'revealing' 'memorable' and 'vivid' and adverbs such as 'memorably' 'vividly' and 'powerfully.' There were, however, some responses that made only a limited attempt to address these key words.
Most Common Mistakes — World Literature (0408)
Based on analysis of 1 official Cambridge examiner reports (2025). Avoid these errors to maximise your marks.
Logging literary devices without exploring the precise effects writers create with them
Paper 1, Paper 2 · Widespread across Paper 2 (Unseen) and Paper 1 (Set Text), 2025
Writing learned introductions about context, plot or biographical background instead of engaging with the question
Paper 1, Paper 2 · Very common across Paper 1 Sections A and B, 2025
Ignoring the question's key words / steer adjectives and writing pre-learned theme essays instead
Paper 1, Paper 2 · Very common across Papers 1 and 2, 2025
Using the Section A extract to answer a Section B question on the same text — a rubric infringement
Paper 1 · Repeatedly flagged across all Paper 1 variants, 2025
Paraphrasing or narrating the text instead of analysing the writer's methods
Paper 1, Paper 2 · Recurring across Papers 1 and 2, 2025
Topics Students Struggle With Most
Analysing writers' methods (form, structure, language) — not just listing devices
Examiners repeatedly noted: 'Centres should continue to support candidates in analysing literary techniques such as alliteration, assonance, caesura and rhyme, without overgeneralising. The term “auditory imagery” was more evident this year. Some candidates applied it to whole phrases where there seems to be little phonology... There were many claims made for the effects of phonological patterning which were not explicitly supported by the evidence cited. “Semantic field” is often used, but unhelpful without close exploration of specific examples of the language.'
Paper 1, Paper 2
Reading and selecting from the WHOLE poem/extract — especially endings
On the Fever Dream extract: 'Teachers should encourage candidates to engage with the entire extract, as the final paragraph—which hints at the real danger emerging from the surrounding wheat fields and describes it as “something threatening”—was generally overlooked.' On Anger: stronger responses analysed 'the juxtapositions in the final stanza, which turn the ugliness and pain of much the poem into “something beautiful” in a redemptive climax' — weaker did not.
Paper 1, Paper 2
Treating drama as performance — stagecraft, pathetic fallacy, characters as constructs
On Anowa Q2: 'Weaker responses, however, tended to regard the characters and events as if they were real and failed to engage with the dramatic form, often focusing on surface-level conflict without considering why the moment was dramatically revealing. These answers tended to neglect the author's use of stagecraft and social commentary.' On Cherry Orchard, 'many failed to explore how Chekhov's characterisation, tone, and dramatic technique serve as critiques of a society in transition.'
Paper 1
Section B general essays — deploying memorised quotations from the whole text
Examiners flagged that Section B success depends on command of detail: 'For Section B questions, the most successful candidates were able to recall from the whole text an extensive range of quotation which they deployed effectively in their response to the question. In less successful responses across both sections of the paper, an absence of direct textual support led to writing that was overly dependent on assertion and explanation.' Less successful responses also 'lacked direct quotations on which to base analysis of the writing.'
Paper 1
Maintaining focus on the steer word ('striking', 'vividly', 'memorably', 'shocking')
Examiners repeatedly identified this as the discriminator: 'The most successful responses tailored their material to the key words in the question from start to finish.' By contrast, 'There were, however, some responses that made only a limited attempt to address these key words' — these candidates 'spent a lot of time on personal reflection instead of textual analysis, diverting attention from the demands of the question.'
Paper 1, Paper 2
Avoiding pre-learned essays and forced alternative interpretations
Examiners cautioned that 'in the pursuit of an alternative or hidden meaning in the poems some candidates were so determined to find “an alternative” meaning or interpretation that they lost sight of the question and, on some occasions, did not answer it. Some of the interpretations had credibility but quite a few were “forced” and unconvincing.' On Section B: pre-learned thematic essays on refugee experience, environmental destruction or aristocratic decline 'tended to undermine relevance and coherence'.
Paper 1, Paper 2
Rubric compliance on Paper 1 — question numbers and using Section A extract in Section B
'A small but significant number of candidates did not follow the rubric, by using quotations from Section A texts in Section B responses even when they were directly instructed not to do so... Centres must tell their candidates that they are not credited for any section of a Section B response which uses the extract from Section A.' Plus: 'Centres must remind candidates to put the question number in the margin, rather than simply labelling their responses A and B as this causes problems for Examiners.'
Paper 1
Coursework administration — task wording, teacher annotation and folder presentation
'Too often candidate work showed no evidence of having been marked. Teachers are reminded that all assignments should have focused ticking of key points, supported by brief reference to the level descriptors in marginal annotation and a detailed summative comment.' Plus: 'Labelling Assessment Objectives (AOs) in the margin of candidate work is not helpful... The AOs should be assessed holistically.' And: 'The Individual Record Card should be fastened securely (e.g., by a treasury tag or staple) to the written assignments (and not placed in plastic wallets, cardboard folders or envelopes).'
Paper 3
World Literature (0408) — Cambridge IGCSE Full Archive 2012–2026
This page contains all 261 available papers for Cambridge IGCSE World Literature (0408) — 27 exam sessions from 2012 to 2026. Each session includes question papers, mark schemes, and where available, examiner reports and grade threshold documents. All files are free to download as PDF — no account required.
Cambridge IGCSE World Literature (0408) is examined through multiple paper components. Question papers are available in two or three variants per session (v1, v2, v3) — each variant is sat in a different time zone but covers the same syllabus content and is equivalent in difficulty. The paper number in the filename indicates which component: for example, 0408_qp_12 is Paper 1, Variant 2.
Mark schemes for 0408 show the exact marking points accepted by Cambridge examiners. Many questions have multiple acceptable phrasings — look for 'accept', 'allow', and 'credit' in the mark scheme to understand the full range of valid responses. Examiner reports (where available) reveal the most common errors made by the cohort and what top-band answers looked like, making them essential reading before the actual exam.
The most effective way to use this archive is to attempt past papers under timed exam conditions, then analyse your mark scheme results by component. Track which paper components and question types you score lowest on — this tells you exactly where to focus revision. Grade threshold documents show the minimum mark needed for each grade in that specific session, which helps calibrate how your practice scores translate to actual grades.
Questions, answered.
You can download all Cambridge World Literature 0408 past papers right here on PapersDaddy. We have 27 exam sessions from 2012–2026 — including question papers, mark schemes, examiner reports, and grade thresholds for 0408. Click any session below to view and download PDFs.
Yes! Every Cambridge IGCSE World Literature (0408) exam session includes the corresponding mark scheme alongside the question paper. Mark schemes show exactly how marks are allocated, helping you understand what examiners look for in top-scoring answers.
Start with recent 0408 papers (2025–2023) to understand current trends. Practice under timed conditions, then mark yourself using the mark scheme. Read examiner reports to learn common mistakes. For targeted revision, use World Literature 0408 topical past papers to focus on specific topics.
We have Cambridge IGCSE World Literature (0408) papers from May/June, October/November, and March sessions (where applicable), covering 2012–2026. That's 27 exam sessions in total.